Eno said he wanted to the music to be on the cusp between melody and texture. This creates a mysterious and ambiguous feeling. The modal Moorish atmosphere of Neroli is due to his use of the Phrygian scale with a flattened second, along with the seventh. It continues his creation of system-based pieces which model themselves on natural processes-imitating Nature-as John Cage said. Musical America recognized the Bang on a Can All-Stars in 2004 as Ensemble of the Year. The recording is on the Cataloupe Music label, CA21045. The musicians are: May Beiser, cello Evan Ziporyn, clarinets Mark Stewart, guitar Steven Schick, percussion Lisa Moore, piano/keyboards Robert Black, doublebass. This type of transcription is difficult to make and to perform, but the musicians of the All-Stars handle it with skill and the acoustic sound seems to give the work more depth and immediacy.
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This is similar to live versions of player-piano pieces by Conlon Narcarrow that have been created and performed by live musicians. In 1998 the musicians of the NYC-based Bang on a Can All-Stars created their own version of the work for live performance in collaboration with Eno. Music for Airports is a four-part piece, its movements designated: 1/1, 1/2, 2/1 & 2/2. The user is supposed to draw a card at random whenever he gets stuck while going about anything of a creative nature.
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He has done a chance computer program called 77 Million Paintings, with Peter Schmidt created Oblique Strategies-a special card deck with each card carrying a cryptic instruction or insight that is meant to solve or point the way to solving a problem. He has worked with David Bowie, Devo, Harold Budd, Robert Fripp, David Byrne, Laurie Anderson, Paul Simon and U2, among others.Įno also involves himself in multimedia ventures and art installations. He himself has been a major influence on many other composers. He was also influenced by John Cage in promoting processes of chance music, as well as by Steve Reich and Terry Riley. Eno came up with innovative production techniques, and emphasized theory over practice. He soon left the group and began his solo career with art rock LPs such as Here Come the Warm Jets and Taking Tiger Mountain By Strategy.Īs he got more experimental, his first ambient-leaning album was Discreet Music of 1975 (30 minutes overlaying two melodies of different lengths), but his 1978 Music for Airports-also created entirely in the studio without most of the elements of standard songs-really launched the generative/ambient revolution. His career began with playing keyboards and synths and doing the mixing for the rock band Roxy Music.
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John le Baptiste de la Salle Eno, believe it or not. The English musician, composer, record producer, singer and visual artist is credited with probably inventing the genre of ambient music, with his unique Music for Airports.